Moviegoers of a certain age can sometimes feel beaten up during the summer months. From “Avengers: Age of Ultron” to “San Andreas” it’s a loud and proud season that can sometimes feel foreign to anyone who came of age before everyone tweeted their every thought in 140 characters.
Every now and again a movie cuts through the blockbuster noise, quietly making its way into the theatre. This summer “I’ll See You in My Dreams” is that movie.
Blythe Danner is Carol, a widow and retired teacher. Single since her husband died twenty years before, she decides, at the urging of her friends (Rhea Perlman, Mary Kay Place, and June Squibb), to try her hand at dating.
She finds company in the form of two men, pool cleaner Lloyd (Martin Starr) who awakens her youthful side and Bill (Sam Elliott) a handsome, straight-talking septuagenarian who wines and dines her. Her first spots her in the vitamin aisle of a drug store. “You don’t need all that,” he says. “You’re just right the way you are.”
The relationships shake Carol’s carefully constructed world—she sings karaoke, smokes dope and gets moony—which are the beats almost every one of these “finding love after 65” movies have, except those other movies don’t have Danner and Elliott in the leads.
Too often relegated to supporting parts—unbelievably this is Danner’s first big screen leading role—these two are the beating heart of the story and could get by on charisma alone, but writer-director Brett Haley doesn’t simply rely on his stars to carry the day. He has supplied them with a story that could easily have fallen into hackneyed silver fox clichés but avoids them by not shying away from real talk about aging and romance.
For older audiences “I’ll See You in My Dreams” is just what the doctor ordered, an antidote to “Avengers: Age of Ultron.”
Big Bird and Oscar the Grouch are, arguably, two of the best-known characters on the planet and yet very few people know the man behind the felt and feathers, Caroll Spinney. A new film, “I Am Big Bird,” aims to introduce audiences to the eighty-year-old puppeteer and the last remaining of the three original “Sesame Street” main cast members—Jim Henson, Frank Oz and Spinney—who started the show.
Comprised of new interviews coupled with Spinney’s archive of photos and home movies “I Am Big Bird” begins before the bird when the puppeteer was a television pioneer, performing on a show while he was still in the Air Force, just eight years after the invention of television. Later he honed his craft, appearing on “Bozo’s Big Top” before being tapped by Jim Henson to join “Sesame Street.”
Over the next 45 years he wore (and continues to wear) the feathered suit—complete with a monitor strapped to his chest, his “electric bra,” so he can see what’s going on outside the puppet—in China with Bob Hope (and later in a special titled “Big Bird in China”) and was almost part of the ill-fated Space Shuttle Challenger. NASA revoked their invite because BB wouldn’t fit on the craft.
From the stage of the Children’s Television Workshop to the political stage—he generated 17,000 tweets a minute after Mitt Romney said he would cut funding to PBS and essentially fire Big Bird—Spinney’s character has become a pop culture icon for young and old.
“I Am Big Bird” is, as you might imagine, is a sweet-natured doc, not unlike the famous feathered character. There are some rough spots—Spinney had a troubled relationship with his father and Henson’s early death devastated everyone who knew him—but the tone here is one of sentimentality, not deep introspection. Still it provides a nostalgic rush to see the Bird in action and get some insight into Spinney’s relationship with the puppet. “I don’t own him, of course,” he says, “but I own his soul I feel.”
The film explains Big Bird’s appeal goes beyond the suit, which is adorned with 4000 bright yellow feathers, many of which were stolen by rowdy university students who plucked Big Bird for souvenirs. One talking head suggests Spinney can go back in time and almost recreate the questions, the fears and thoughts of a youngster, making him instantly relatable to the younger set.
Perhaps so, but I think it’s the unconditional love Spinney puts into his greatest creation (sorry Oscar). That spirit radiates from Big Bird and this film, giving both the heart needed to be memorable.
Recently a film director told me one way he rates movies. If he forgets what he has just seen by the time he hits the parking lot afterwards, the movie didn’t mean much.
“Survivor,” a new thriller starring Milla Jovovich, Pierce Brosnan, Dylan McDermott and Angela Bassett, is so generic you actually forget it while you’re in the theatre, still watching the movie.
Jovovich is Kate Abbott, an American State Department investigator stationed at the embassy in London. When she uncovers a terrorist plot involving “the world’s most wanted hitman” (Brosnan), a revenge hungry scientist (Roger Rees) and corrupt government figures she finds herself on the run. Dodging bullets and bombs she must figure out who she can trust and who is trying to frame her for a succession of deadly events.
“Survivor” is competent in the most damning of ways. It’s well shot—in focus even!—with passable performances from a crew of old pros and an mix of genre conventions blended together to form an international olio of intrigue. Capable and a bit lazy. “Survivor” is so basic in its approach it almost redefines what a b-movie can be. The only thing missing is a cameo from Dolph Lundgren.
From McDermott’s steely-jawed heroic speeches—“We’re doing this because we believe in an old fashioned idea of country!”—to the clock ticking down to doomsday to super evil bad guys with mysterious accents to airport anxiety and cheeseball dialogue—“The longer she lives, he more people die!”—“Survivor” plays like a greatest hits of every Roger Corman movie ever made.
On Thursday, June 4 at 9 p.m. the first episode of a show Richard executive produced, REELSIDE (Episode 1 of 6 *Original Documentary Series Premiere*) debuts on The Movie Network!
The first show is Sarah Gadon’s directorial debut. Commissioned by an Italian fashion magazine for a photography project, celebrated photographer Caitlin Cronenberg and actor Sarah Gadon (Maps to the Stars, Dracula Untold) travel to Bruce Peninsula National Park. This episode explores how the pair connected amidst the Hollywood and Fashion machines, and issues of image-making, film, and fashion. Enemy, starring Sarah Gadon and Jake Gyllenhaal, follows the episode at 9:30 p.m. ET.
Richard’s column “Big Screen/Small Screen” in the June issue of “Movie Entertainment”!
“There is much to smile about in June. If you happen to live in the Northern Hemisphere it’s the month with the longest daylight hours of the year. If you’re a Gemini or Cancer, Happy Birthday! If you’re a dad, Happy Father’s Day! If you’re a movie fan, the month promises laughs-a-plenty.
“Fans of Family Guy know what to expect from Ted 2, Seth MacFarlane’s sequel to the raunchiest teddy bear movie ever made. As the writer and voice behind Peter Griffin, MacFarlane pushes the limits of what’s acceptable on TV. Now imagine that without a network censor looking over his shoulder. Ladies and gentlemen, I give you Ted 2. Mark Wahlberg returns—it’s the first time ever he’s appeared in a movie original and sequel—as John Bennett, Ted’s best friend and enabler.
“After 96 episodes on television Entourage is making the leap from small screen to big. Vincent Chase and his posse, Eric, Turtle, and Johnny Drama promise the same laughs the TV show delivered but not everyone was excited about the movie. Grant Elliot says he was a fan of the series “when it was good” and started a Kickstarter campaign to make enough money to bribe the show’s creator Doug Ellin to NOT make the movie…” TO READ THE WHOLE THING CHECK OUT THE MAGAZINE ON STANDS NOW!
From The Bookend Family: “Mr. Crouse makes the details come alive, with stories about the size of the stories and the size of the performer’s egos. All in all it’s an intimate and scrappy love-note about how and when an artist found his voice and started his career. Elvis Is King makes the case that My Aim Is True was a truly rare phenomenon, and an album that was absolutely the right sound at the right time. This book is not that, but it’s pretty darn close…”
Richard Crouse interviews Carla Gugino on starring in the action film “San Andreas”
Gugino on women in action films: “In the 1950s women did draw at the box office then a lot of things changed but I think we’re coming back to the place where one does not preclude the other. You don’t have to just have men kicking ass and women being passive because that is not something today that women relate to. Women are not passive in general.”
Blythe Danner Interview with Richard Crouse for “I’ll See You in My Dreams ”
“I think it is a very underplayed role,” she says. “Yes, she runs the gamut of emotions but there is nothing that is very extreme in my playing of this role. It is heartening that people are touched by the whole film and if they are by my performance that is very flattering but I don’t see it as an Oscar worthy performance. I just don’t see it. The possibility seems absurd to me.”
Moviegoers of a certain age can sometimes feel beaten up during the summer months. From “Avengers: Age of Ultron” to “San Andreas” it’s a loud and proud season that can sometimes feel foreign to anyone who came of age before everyone tweeted their every thought in 140 characters.
