I appear on “CTV News at 11:30” with anchor Andria Case to talk about the best movies and television to watch this weekend, including the theatrical satire “American Fiction” starring Jeffrey Wright, the Netflix documentary “Kevin Hart and Chris Rock: Headliners Only” and the Crave documentary “Albert Brooks: Defending My Life.”
Watch the whole thing HERE! (Starts at 19:40)
Fast reviews for busy people! Watch as I review three movies in less time than it takes to wrap a gift! Have a look as I race against the clock to tell you about the satire “American Fiction,” the high-flying wrestling movie “The Iron Claw” and the drama “The Zone of Interest.”
Watch the whole thing HERE!
I sit in with NewsTalk 1010 host Jim Richards on the coast-to-coast-to-coast late night “NewsTalk Tonight” to play the game “Did Richard Crouse Like This?” This week we talk about the satire “American Fiction,” the high-flying wrestling movie “The Iron Claw” and the animated “Migration.”
Listen to the whole thing HERE!
I join “CTV News Toronto at Five” with guest host Zuraidah Alman, to talk about the satire “American Fiction,” the high-flying wrestling movie “The Iron Claw” and the animated “Migration.”
Watch the whole thing HERE!
I joined CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about the satire “American Fiction,” the high-flying wrestling movie “The Iron Claw,” the animated “Migration,” the superhero flick “Aquaman and the Lost Kingdom” and the drama “The Zone of Interest.”
Watch the whole thing HERE!
I join CTV NewsChannel anchor Roger Peterson to talk about the satire “American Fiction,” the high-flying wrestling movie “The Iron Claw,” the animated “Migration,” the superhero flick “Aquaman and the Lost Kingdom” and the drama “The Zone of Interest.”
Watch the whole thing HERE!
I joined CP24 to have a look at new movies and television shows coming to theatres and streaming services. Today we talk about the satire “American Fiction,” the high-flying wrestling movie “The Iron Claw” and the animated superhero-movie-for-kids, “Merry Little Batman” on Prime Video.
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with guest host Stefan Keyes to talk the new movies coming to theatres including the satire “American Fiction,” the high-flying wrestling movie “The Iron Claw,” the animated “Migration,” the superhero flick “Aquaman and the Lost Kingdom” and the drama “The Zone of Interest.”
Listen to the whole thing HERE!
The smart, funny and insightful, “American Fiction,” winner of this year’s Toronto Film Festival People’s Choice Award, is a satire that sees Jeffrey Wright as an exasperated novelist who confronts racial stereotypes by writing a book that forces him to balance hypocrisy with selling out.
An adaptation of Percival Everett’s 2001 novel “Erasure,” the film stars Wright as Thelonious “Monk” Ellison, an author and English Lit professor frustrated that his publisher rejects his latest work as not being “Black enough,” while another book, “We Lives in da Ghetto” by Sintara Golden (Issa Rae), is heralded by critics as a modern masterpiece.
As Monk struggles personally—his brother Cliff (an excellent Sterling K. Brown) is experiencing a massive life shift while his mother Agnes (Leslie Uggams) is in decline, and will soon need a care home, which the family cannot afford—his professional life turns upside down.
“Monk,” says his agent Arthur (John Ortiz), “your books are good, but they’re not popular. Editors want a Black book.”
“They have a Black book,” says Monk. “I’m Black and it’s my book.”
Angry, on a whim he bangs out “My Pafology,” a satire of Golden’s book under the pseudonym Stagg R. Leigh. Filled with tired and reductive stereotypes of gang violence and broken homes, his gag novel becomes a publishing sensation, receiving an offer of a $750,000 advance and huge marketing campaign.
Monk is the only person, it seems, who gets the joke. “It’s the most lucrative joke you’ve ever told,” says Arthur.
It may have started as a joke, but Monk needs the money. If he accepts the offer, however, does that mean he’s perpetuating tropes that play into what he regards as “Black trauma porn”?
“American Fiction” finds sharp humor in identity politics, perception and culture wars. Serious in its message but playful in tone, it can cut to the quick. In one scene, Monk and Golden, the only two Black jurors on a literary panel, are castigated to by the white judges to “hear Black voices.” It is one of the film’s funniest scenes, but the performative nature of the sentiment is all too realistic.
As Monk, we see Wright in a different sort of role. Given the chance to flex his rarely-used comedy muscles, he excels, playing up his curmudgeonly character’s conundrum to maximum effect. It’s bittersweet. As he watches the fictious Stagg R. Leigh’s book become successful. It confirms his feelings about the biases of the publishing industry. He reacts with a mix of outrage and humor. It’s a bravura work that hopefully means it won’t take thirty years to give Wright another leading role in a theatrical release.
Giving Wright a run for his money is Brown who steals every scene he’s in. His character Cliff is a mess, pushing personal boundaries as a man coming out of the closet and building a new life. Like Wright, Sterling creates a character that gets laughs, but the laughs aren’t shallow, they come from a deep well of pain and Cliff’s lived experience.
Director Cord Jefferson’s “American Fiction” asks why stereotypes of Black trauma are so prevalent in entertainment by not so subtly satirizing the process and the people who create the limited view of Black life in books and on screens. It is insightful but never forgets to entertain.
