Posts Tagged ‘Bruce Willis’

CTVNEWS.CA: THE CROUSE REVIEW ON “TERMINATOR: DARK FATE” AND MORE!

A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the reunion of Linda Hamilton and Arnold Schwarzenegger in “Terminator: Dark Fate,” the biopic “Harriet” starring Cynthia Erivo and “Motherless Brooklyn” from star, director, producer and writer Edward Norton.

Watch the whole thing HERE!

MOTHERLESS BROOKLYN: 3 ½ STARS. “ambitious, overstuffed movie.”

Edward Norton spent twenty years trying to bring Jonathan Lethem’s bestselling novel “Motherless Brooklyn” to the big screen. Lethem set his detective story in the 1990s but Norton takes liberties, adding new characters and moving the action to the 1950s, lending a retro “Chinatown” vibe to the proceedings.

Norton, wrote, produced, directed and also stars as Lionel Essrog, a gumshoe with Tourette syndrome and an obsessive-compulsive eye for the little details that solve cases. “It’s like I got glass in my brain,” he says. When Frank Minna (Bruce Willis), his mentor and only friend, is killed while investigating a case no one is surprised. His colleagues, Tony (Bobby Cannavale), Gilbert (Ethan Suplee) and Danny (Dallas Roberts), accept that death is an almost inevitable part of the job but Lionel thinks there is more to the story. He is convinced Frank was about to blow the lid off a conspiracy involving Moses Randolph (Alec Baldwin), a ruthless politician who clears out African American communities to make way for redevelopment. “There’s something going down,” says Lionel, “and it’s big, and they were not happy about what he found.” His sleuthing leads him to Randolph’s hinky brother (Willem Dafoe), community activist Laura Rose (Gugu Mbatha-Raw), and a tale of corruption, lust and power where everyone is at risk.

Norton has created a detailed noir with “Motherless Brooklyn” that, while engaging, overstays its welcome in a long, drawn out conclusion. Terrific performances (there is some capitol A acting happening here), effective dialogue and anxiety-inducing music plus great 1950s era flourishes (even if Baldwin does smoke a recent vintage American Spirit cigarette in closeup) entertain the eyes and ears but as Lionel uncovers clues we are drawn further into a rabbit hole of murky motives, many of which are left dangling by the time the end credits roll. It’s an ambitious movie that feels meandering and overstuffed with plot.

It does, however, have its high notes. Norton is careful in his portrayal of a person with Tourettes and while he may have an extreme case of the syndrome it is never used as a gag or a gimmick. Instead it’s a sympathetic representation of a person with neurological tics making his way through life.

As for Baldwin, it’s hard to not see echoes of his Donald Trump impression in Moses Randolph. He’s an aggressive anything-to-win type who plays the power game to the disadvantage of anyone who gets in his way. It’s a big, blustery performance and one of the film’s pleasures.

Gugu Mbatha-Raw brings both vulnerability and steel to Laura, elevating her from a plot device to a living, breathing character.

“Motherless Brooklyn” is frustrating. It contains many interesting, thought provoking ideas on gentrification, some nicely rendered scenes and fine acting but errs on the side of self-indulgence to the point where the audience loses interest in its machinations.

CJAD IN MONTREAL: THE ANDREW CARTER SHOW WITH RICHARD CROUSE ON MOVIES!

Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk the new movies coming to theatres including the direct sequel to 1991’s “T2,” “Terminator: Dark Fate,” “Harriet,” the inspiring life story of American abolitionist and political activist Harriet Tubman and the Edward Norton noir “Motherless Brooklyn.”

Listen to the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY JANUARY 18, 2018.

Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including “Glass,” the supersequel to “Unbreakable” and “Split,” the Hollywood biopic “Stan & Ollie” and a movie Richard says should be called “Replican’t.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS FOR JANUARY 18.

Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the weekend’s big releases including “Glass,” M. Night Shyamalan’s sequel to “Unbreakable” and “Split,” the Hollywood biopic “Stan & Ollie” and a movie Richard says should be called “Replican’t.”

Listen to the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard has a look at “Glass,” M. Night Shyamalan’s superhero sequel to “Unbreakable” and “Split,” the Hollywood biopic “Stan & Ollie” and Keanu Reeves as a doctor who tries to clone his family in “Replicas” with CFRA Morning Rush host Bill Carroll.

Listen to the whole thing HERE!

CTVNEWS.CA: THE CROUSE REVIEW ON “STAN & OLLIE” AND MORE!

A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at “Glass,” M. Night Shyamalan’s nineteen-years-in-the-making sequel to “Unbreakable” and “Split,” the Hollywood biopic “Stan & Ollie” and Keanu Reeves as a doctor who tries to clone his family in “Replicas.”

Watch the whole thing HERE!

GLASS: 2 STARS. “more twists in ‘Glass’ than you can shake a Syd Field book at.”

I’ll start this review with a spoiler to a movie that came out almost three years ago. This will be the last spoiler you’ll see here. Here we go, the twist at the end of M. Night “Let’s Twist Again” Shyamalan’s “Split” revealed that his story of serial killer with twenty-three established personalities also had a twenty-fourth, a superhuman character known as The Beast. What’s more—because why settle for one twist when you can have two?—The Beast lives in the same universe as the 2000 film “Unbreakable.”

Shyamalan’s new film “Glass” acts as a sequel for both films, bringing together James McAvoy as “Split’s” Kevin Wendell Crumb and “Unbreakable” stars Bruce Willis as the heroic David Dunn and Samuel L. Jackson’s mass murderer Elijah Price, a.k.a. Mr. Glass.

Here’s the spoiler free synopsis: Dunn, the invulnerable security guard with the extrasensory ability to sense the crimes people have done by touching them, is hot on the heels of Crumb’s collection known as The Horde, looking to end his killing spree. “When I find the Horde,” Dunn says, “I’ll take a mental health day.”

Following a confrontation Crumb and Dunn psychiatrist Dr. Ellie Staple (Sarah Paulson) captures them, placing them in Ravenhill Memorial Pyschiatric Research Hospital, the same institution as Price. “It’s a place for people who think they are comic book characters,” says Hedwig, one of Crumb’s personalities. Convinced they all suffer from delusions of grandeur, her treatment involves convincing them that they are human, not superanything.

That’s all you get from me. Cue the plot twists.

I like a twist as much as the next person. I still remember having my head knocked back by movies like “The Crying Game” and Shyamalan’s “The Sixth Sense” but can we now call a moratorium on multiple twists? Shyamalan has made a career out of subverting people’s expectations but there are more twists in the last twenty minutes of “Glass” than you can shake a Syd Field book at. In this case more is not more.

Leading up to the twist-o-rama is an examination of what would happen if we learned that superheroes are real. To accomplish this Shyamalan has Paulson’s good doctor spend a good portion of the running time trying to convince the superhero that there is nothing special about them. It’s less than dramatic. Worse, the film’s ideas on the existence of extraordinary beings (AGAIN, NO SPOILERS HERE) have been beaten to death in everything from the “X-Men” films to “Watchmen” and “Batman v Superman: Dawn of Justice.”

Despite a bit of fun from McAvoy’s ever shifting characters and Willis’s Gandalf / action hero robe “Glass” is a slog. Talky and meta, it’s being billed as a “film that took 19 years to make,” but doesn’t feel worth the wait.

CJAD IN MONTREAL: THE ANDREW CARTER SHOW WITH RICHARD CROUSE ON MOVIES!

Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk about “Glass,” M. Night Shyamalan’s nineteen-years-in-the-making sequel to “Unbreakable” and “Split” and the Hollywood biopic “Stan & Ollie.”

Listen to the whole thing HERE!