I joined CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about the handy vigilante in “The Equalizer 3,” the high school comedy “Bottoms,” the coming-of-age story “You Are So Not Invited to My Bat Mitzvah” and the YA horror movie “Zombie Town.”
Watch the whole thing HERE!
I sit in with CKTB morning show host Tim Denis to have a look at the handy vigilante in “The Equalizer 3,” the high school comedy “Bottoms,” the coming-of-age story “You Are So Not Invited to My Bat Mitzvah” and the YA horror movie “Zombie Town.”
Listen to the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the handy vigilante in “The Equalizer 3,” the high school comedy “Bottoms,” the coming-of-age story “You Are So Not Invited to My Bat Mitzvah” and the YA horror movie “Zombie Town.”
Listen to the whole thing HERE!
Sometimes called the “Stephen King of children’s literature,” R.L. Stine has inspired bad dreams for decades. The author of hundreds of horror fiction novels for youngsters, including the classic “Goosebumps” series, returns to the big screen this week with “Zombie Town,” a teen horror comedy based on his 2012 novel of the same name.
The action takes place on one eventful night in Carverville, a small town named after legendary b-movie horror director Len Carver (Dan Aykroyd). “This whole town is just a bunch of zombie following idiots,” grumbles Mike (Marlon Kazadi), the only guy in town who doesn’t like zombie movies.
It’s the eve of the premier of Carver’s latest “flesh drenched extravaganza,” his first film in decades. “You’ll laugh! You’ll cry! You’ll kiss your five bucks goodbye!” screams the film’s trailer. Everyone in town is excited except for Mike, who works at the theatre, and will have to watch the film whether he likes it or not.
When Carver takes ill before the show, the screening is cancelled, but Mike’s friend Amy (Madi Monroe) convinces him to give her a private screening. As white light bounces off the blank screen, strange things begin happening. Mike and Amy protect themselves from the weird glow with film cannister lids embossed with an ancient symbol.
The symbol’s mystical power protects them from the film’s magical spell, but outside the theatre, all over town, the good folks of Carverville have been transformed into the living dead. “You have to get over your fear of zombies,” Amy says. “It is just us and them now.”
Mike and Amy realize that if they are to save themselves and their town, they must track down Carver and put an end to his film’s zombie curse.
The zombies in “Zombie Town” may amble around with George A. Romero style menace, but this is no “Night of the Living Dead.” Thrills and chills are few and far between, pitched toward the younger end of the YA scares of “Goosebumps.”
Director Peter Lepeniotis aims for an Amblin PG-13 feel, that mix of plucky young people and the supernatural, but falls just short because the film has no real menace. Sure, the town has been zombified, but the peril and the frights are kept to a minimum. Raising the stakes and ramping up the horror may have given the movie more edge, without risking the alienation of the core audience.
It’s a bit of fun to see Aykroyd ham it up as the tormented filmmaker in “Zombie Town,” and cameos from Chevy Chase, Henry Czerny and “Kids in the Hall” alums Scott Thompson and Bruce McCulloch add some texture, but overall it doesn’t bring quite enough life to the undead.
Richard speaks to “CTV News at 11:30” anchor Andria Case about movies on VOD and in theatres to watch this weekend including the animated stone age family flick “The Croods: A New Age,” the slice-of-David-Bowie’s-life movie “Stardust” on VOD and “Belushi,” the Crave doc about the rise and fall of the beloved “Saturday Night Live” comedian.
Watch the whole thing HERE! (Starts at 19:26)
Richard and CP24 anchor Jamie Gutfreund have a look at the animated comedy “The Croods: A New Age” (theatrical), the David Bowie biopic “Stardust” (In theatres and digital and on-demand platforms), a pair of docs, “Belushi” (Crave) and “Zappa” (Apple TV app and everywhere you rent movies), the new one from Mel Gibson “Fatman” (VOD) and a remake of “Black Beauty” (Disney+).
Watch the whole thing HERE!
Richard and “CP24 Breakfast” host Pooja Handa have a look at some special streaming opportunities and television shows to watch over the weekend including the CBC Gem documentary “Fear of Dancing,” the HBO thriller “The Flight Attendant,” Disney+’s remake of “Black Beauty” and “Belushi,” the in-depth look at the life and times of comedian John Belushi.
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the animated comedy “The Croods: A New Age” (theatrical), the David Bowie biopic “Stardust” (In theatres and digital and on-demand platforms), a pair of docs, “Belushi” (Crave) and “Zappa” (Apple TV app and everywhere you rent movies), the new one from Mel Gibson “Fatman” (VOD) and a remake of “Black Beauty” (Disney+).
Listen to the whole thing HERE!
John Belushi was only famous for five years before his untimely death at age 33 but in that short time his unique comedic quality left an indelible impression that resonates almost forty years later. A new documentary, now streaming on Crave, looks at his meteoric rise and tragic fall.
Director R.J. Cutler uses the usual devices to tell the story. He mixes and matches archival material, animation, ephemera from Belushi’s life—handwritten letters, home movies etc—and news footage but his ace in the hole, the thing that gives “Belushi” its emotional wallop, are the audio interviews that tell the story.
In 2012 author Tanner Colby released a book called “Belushi: A Biography,” an oral history of the life and times of the “SNL” star. Colby did dozens of interviews with the people who knew Belushi best, Lorne Michaels, Dan Ackroyd, Harold Ramis, and friends and family, including John’s wife Judith. Those interviews form the backbone of the film, bringing with them a conversational, intimate and wistful feel.
The story beats are familiar. An uber talented rebel with a sensitive side finds enormous fame—at one point he had the number one comedy show on TV, movie in theatres and album on the charts—but is undone by personal demons. That’s the story in broad strokes. Filling in the small details is the expertly edited oral history who provide first hand details and impressions on Belushi’s life.
Most devastating of all are the handwritten letters from John to Judith that Cutler brings to life. From the playful tone of the early letters sent while they were courting to the final notes, written in desperation as drugs and depression debilitated the actor, these notes, written in a messy scrawl and often containing funny self-help lists, provide more insight into the Belushi’s mind frame that no talking head interview could ever hope.
“Belushi” has gaps. The warts and all depiction of Belushi’s drug habits is front and center but the misogyny of the early “SNL” days, for instance, is brushed over in a quick passage.
Having said that, the doc packs an emotional punch in its final moments as Belushi’s nearest and dearest express regret for allowing their friend to lapse back into heavy drug use. It is heartbreaking stuff on a personal level for them. For the rest of us, as Belushi fans, the cutting short of his potential feels like a cautionary tale of excess and a tragedy of a talent taken way too soon.
