RICHARD’S REVIEWS FOR MAR. 07, 2014 W “CANADA AM” HOST JEFF HUTCHESON.
Film critic Richard Crouse with his reviews for this week’s releases, ‘Mr. Peabody and Sherman,’ ‘300: Rise of an Empire’ and ‘No Clue.’Watch the whole thing HERE!
Posts Tagged ‘David Koechner’
Film critic Richard Crouse with his reviews for this week’s releases, ‘Mr. Peabody and Sherman,’ ‘300: Rise of an Empire’ and ‘No Clue.’NO CLUE: 2 ½ STARS. “the most Canadian murder mystery ever made.”
“No Clue,” a new film from “Corner Gas” star Brent Butt may be the most Canadian murder mystery ever made.
The story of Leo, (Butt) a bumbling Vancouver tchotchke salesman lured into investigating a crime by a femme fatale played by Amy Smart, is a mildest mannered murder mystery since “Mysteriously Yours” started serving up main courses with mayhem.
The movie begins with Leo taking a meeting with Kyra (Smart). At first he thinks she’s a client for his doohickey business but soon realizes she’s wandered into his office instead of the private detective agency across the hall.
As she tells him the story of her brother’s disappearance he becomes enamored of her and plays along, agreeing to take the case despite his total lack of Sam Spade experience.
Blundering his way through the case he soon learns there is more to Kyra than a pretty face and crocodile tears for her brother.
There isn’t a lot of grit to “No Clue.” It grafts a sitcom premise to a “Columbo” episode, relying on the comedy to sell the story. Butt and David Koechner go for laughs, while the rest of the cast—Smart, David Cubitt and Dustin Milligan—play it straight.
It’s kind of an odd mix. Movies like “Fletch,” “High Anxiety” and “Foul Play” have walked this path before but each of those had more edge. “No Clue” is an amiable attempt at mixing and matching film noir and gags, but feels more like a Halloween episode of “Corner Gas” where “Hank” Yarbo mysteriously disappears after a wild weekend in Carrot River, Saskatchewan.
Butt is a likeable performer, the same likeable performer who was the cornerstone of “Corner Gas” for six seasons. He brings the folksy charm that kept that show on the air to the film but he doesn’t fill the big screen in quite the same way he did the TV screen.
Brent Butt Finds the Funny in a Murder Mystery. Metro Canada Feb 28, 2014
By Richard Crouse – Metro Canada
“The Whistler Film Festival was the first opportunity I got to sit in a room with strangers and have them watch the movie and I was very nervous going into it,” says comedian Brent Butt about his new film No Clue.
In the film he stars as Leo, a mild mannered Vancouver tchotchke salesman lured into a murder mystery by a femme fatale played by Amy Smart. “It’s a very dark, classic kind of detective mystery but the main characters say funny things,” says Butt.
“We really felt, totally objectively, that we made the movie we wanted to make but that part of my brain that is the stand up comic said, ‘What you think doesn’t really matter. The audience will let you know,’ and the audience is everything to me.
“Long before Corner Gas came around I was just a greasy nightclub comic, out there getting it done. When you are doing that you always have the ability to shift gears. You think, ‘They’re not buying the sports stuff so I’ll talk about politics,’ but with this movie if they’re not liking it five minutes in you can’t say, ‘Everybody go get a drink. I’m going to reedit this.’ You are locked in.”
Audience reaction was “better than we ever could have imagined” for a movie he calls a “tricky balancing act.”
“I wanted to make a movie that if it wasn’t funny would still be entertaining. It would still be thrilling and a mystery and have all those good, juicy elements and then the funny kind of folds in like gravy. It’s on top of everything else.
“From the writing stand point there were a lot of funny jokes I neglected to put in the movie because I felt this is funny but it is ultimately going to damage the reality. For this movie to work it has to feel real. One of the things we did early on was tell everybody to forget that this is a comedy. Pretend you are making a dark murder mystery. That’s what this is. The comedy will come in elsewhere.”
Butt cites a famous example of the kind of film he wanted to make.
“Beverly Hills Cop was written not to be a funny movie. It was written to be a thriller and then they cast Eddie Murphy and said, ‘Let’s make it funny.’ But if you take all the funny things that Eddie says out, it still holds water as an action movie.”
RICHARD’S “CANADA AM” REVIEWS FOR DEC. 13, 2013 W/ Jeff Hutcheson.
Richard Crouse reviews this week’s releases: “Anchorman 2: The Legend Continues,” “American Hustle,” “Inside Llewyn Davis,” “Her,” and “Walking with Dinosaurs 3D.”
Watch the whole thing HERE!
Anchorman 2 review: Where there’s a Will (Ferrell), there’s a way to laugh
By Richard Crouse & Mark Breslin Reel Guys – Metro Canada
Synopsis: Anchorman 2: The Legend Continues opened this week bringing confident but thick news anchor Ron Burgundy (Will Ferrell) back to the big screen after a nine year absence. The first film made catchphrases like, “I love scotch. Scotchy, scotch, scotch,” and the names Brick Tamland (Steve Carell), Brian Fantana (Paul Rudd) and Champion “Champ” Kind (David Koechner) household words. In celebration of the return of the team from San Diego’s KVWN Channel 4 the Reel Guys have a look back at the career of funnyman Will Ferrell.
Richard: Mark, I think Will Ferrell is one of the bravest comedic actors working today; someone willing to do anything for a laugh. Trouble is, I often don’t laugh. Anchorman is laugh-out-loud funny. Ditto Elf and Old School, but sometimes I feel he has to rein the manic energy in, do half as much and maybe be twice as funny. Having said that, the Shark Week jokes in Step Brothers really make me giggle.
Mark: Richard, I share your ambivalence toward Ferrell. He’s not my go-to guy for funny. Still, he’s done some great work. My favourite Will Ferrell movies are two indie films he’s starred in: Stranger Than Fiction and Everything Must Go. They’re the equivalent of Jim Carrey’s work in The Truman Show and Eternal Sunshine of the Spotless Mind. Maybe not huge crowd pleasers, but they show the true breadth of his talent.
RC: I agree. I think Stranger Than Fiction is worth a rental. It’s touching and funny, which for me is Ferrell’s sweet spot. A Night at the Roxbury is a silly comedy but Ferrell’s wide-eyed performance is the kind of thing I like from him. Outrageous, yes, but underneath the silly is a real guy. Sometimes I can’t see the real guy underneath his characters and those are his movies that don’t work for me. Except Zoolander. As fashion guru Mugatu he’s so strange he dares you not to laugh at him.
MB: Yes, he’s sometimes better in a supporting role in which his over-the-top zaniness doesn’t sink the whole picture. Mugatu for sure, but also the mattress salesman in The Internship or Franz in The Producers. But generally, I find his man-child jock character wearying. Which is why, I think, Anchorman is such a successful movie. It’s a Will Ferrell movie for people who don’t care for Will Ferrell movies. Did you enjoy the sequel, Richard?
RC: I did. I think there is a lot of life left in Ron Burgundy. It’s funny in an outrageous way. It’s a bit too long, (and don’t bother sitting through to the post credit scene unless you find the sight of Steve Carell eating cookies hilarious) but the buffoonery level is high in a season where serious drama seems to be the ticket.
In the last couple of weeks I have seen Ferrell, in character, sit in on some local newscasts and he fit right in. As long as there is media, egomaniac announcers and local news, there will be a place for Ron Burgundy.
MB: Yes, but let’s not forget he’s supported by a stellar cast of comic actors: Paul Rudd, Jim Carrey, Steve Carell, Vince Vaughn, Kristen Wiig. Even if Ferrell isn’t your cup of tea, it’s hard to believe this movie won’t work.
ANCHORMAN 2 THE LEGEND CONTINUES: 3 STARS. “the buffoonery level is high.”
It’s been ten years since we first met Ron Burgundy (Will Ferrell), a San Diego newscaster who claims he was put on earth to do two things, “have salon quality hair and read the news.” With his extreme news team—field reporter Brian Fantana (Paul Rudd), sportscaster Champ Kind (David Koechner) and bizarro weatherman Brick Tamland (Steve Carell)—he ruled the local airwaves.
This time around the stakes are much bigger. Relocated to New York City, Burgundy and company are set to change the face of news in a film that almost plays like a comedic version of “Network.” Almost… but not quite.
At the dawn of the 1980s Ron Burgundy’s best days seem to be behind him. His marriage implodes when his wife Veronica Corningstone (Christina Applegate) becomes the first female national news host. He hits the bottle, stops combing his perfect hair and it looks like his career is over until he’s recruited to join the anchor team at the newly formed Global News Network, the first 24-hour news channel.
He takes the job, but first insists on reuniting his old team, Blues Brothers style. With Champ, Brick and Brian on board they prepare to take New York by storm, but first they have to out do and out perform hot shot anchor Jack Lime (James Marsden).
Cobbling together a newscast made up of car chases, cat videos and Fox News style patriotism they inadvertently give birth to a new style of news.
As their ratings rise, so do questions of journalistic ethics. And that’s the first hour. Beyond that the movie is so demented I don’t want to give away any more plot points.
“Anchorman 2: The Legend Continues” brings with it a fair amount of goodwill. People love the original and the audience I saw the new one with laughed at almost everything that came out of Ferrell’s mouth.
For the first hour. Then the movie’s faults begin to show.
The opening sixty minutes feel like a worthy, although not quite as quotable, revisiting of the first movie. There’s nothing as memorable as, “I love scotch. Scotchy, scotch, scotch. Here it goes down, down into my belly…” but you’ll laugh, especially if you’re a fan of the original.
You’ll also laugh in the second hour, but it feels less like a film than a series of connected sketches. The plot veers around wildly, again delivering giggles, but in a rambling way that doesn’t feel like the first half. It tries hard to make a statement about early 1980s race relations and for a short while Ferrell channels his inner Howard Beale to comment on the erosion of the quality of news reporting.
Sounds more nuanced than it actually is. Despite the social commentary, this is still the kind of movie where Burgundy goes temporarily blind, hand feeds a baby shark and engages in hand-to-hand combat with rival news teams.
“Anchorman 2: The Legend Continues” is funny in an outrageous way. It’s a bit too long, (and don’t bother sitting through to the post credit scene unless you find the sight of Steve Carell eating cookies hilarious) but the buffoonery level is high in a season where serious drama seems to be the ticket.
