Posts Tagged ‘Ella Purnell’

CTV NEWS AT SIX: NEW MOVIES AND TV SHOWS TO CHECK OUT THIS WEEKEND!

Richard speaks to “CTV News at Six” anchor Andria Case about the best movies and television to watch this weekend. This week we have a look at the Netflix zombie flick “Army of the Dead,” the predictable “thriller” “Trigger Point” and the LGBTQ+ cabin-in-the-woods flick “The Retreat.”

Watch the whole thing HERE! )Starts at 37:10)

BOOZE AND REVIEWS: THE PERFECT COCKTAIL TO ENJOY WITH “ARMY OF THE DEAD”!

Richard Crouse makes a Corpse Reviver Number 2, the perfect cocktail to enjoy while having a drink and a think about “Army of the Dead,” the new zombie movie from director Zach Snyder.

Watch the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY MAY 21, 2021.

Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including the over-the-top Netflix zombie flick “Army of the Dead,” the predictable “thriller” “Trigger Point” and the LGBTQ+ cabin-in-the-woods flick “The Retreat.”

Watch the whole thing HERE!

NEWSTALK 1010: BOOZE AND REVIEWS WITH RICHARD CROUSE ON THE RUSH!

Richard joins Ryan Doyle and Jay Michaels of the NewsTalk 1010 afternoon show to talk about the history of the Screwdriver cocktail. Not just for brunch, it actually dates back to Turkey in the 1940s. We have a look at the Netflix zombie-palooza “Army of the Dead,” and ask out loud the question that everyone is thinking: Why can movie theatres be safely opened in Quebec, but not Ontario.

Listen to the whole thing HERE!

RICHARD’S CTV NewsChannel REVIEWS FOR MAY 21 WITH MARCIA MacMillan.

Richard and CTV NewsChannel morning show host Marcia MacMillan chat up the weekend’s big releases, the over-the-top Netflix zombie flick “Army of the Dead,” the predictable “thriller” “Trigger Point” and the LGBTQ+ cabin-in-the-woods flick “The Retreat.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the over-the-top Netflix zombie flick “Army of the Dead,” the predictable “thriller” “Trigger Point” and the LGBTQ+ cabin-in-the-woods flick “The Retreat.”

Listen to the whole thing HERE!

THE SHOWGRAM WITH JIM RICHARDS: DOES RICHARD CROUSE LIKE THESE MOVIES?

Richard joins NewsTalk 1010’s Jim Richards coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about the blood soaked Netflix zombie flick “Army of the Dead,” the predictable “thriller” “Trigger Point” and the LGBTQ+ cabin-in-the-woods flick “The Retreat.”

Listen to the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS & MORE FOR SEPT 30.

screen-shot-2016-10-03-at-8-25-28-amRichard sits in with Marcia MacMillan to have a look at the weekend’s new movies, the true-to-life thrills of “Deepwater Horizon,” Tim Burton’s X-Men-esque “Miss Peregrine’s Home For Peculiar Children,” the thriller “Imperium” and the ripped-from-the-headlines documentary “The Lovers and the Despot.”

Watch the whole ting HERE!

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: 2 STARS. “quirky baby X-Men.”

screen-shot-2016-09-26-at-4-43-13-pmFrom director Tim Burton comes “Miss Peregrine’s Home For Peculiar Children,” another story of outsiders trying to find place in the world where they belong. Or in this case a place in time.

Teen years are for making friends and having fun but for Jake Portman (Asa Butterfield) they are a hardship. He’s the weird kid in class, friendless except for his grandfather Abraham (Terence Stamp) who keeps the boy entertained with wild stories about a life spent travelling the world and the Home for Peculiar Children where he was raised. He grew up side-by-side with a boy made of bees, a teacher who could turn into a bird, and a balloon girl, lighter than air who had to wear lead shoes so as not to float away.

When his Abe is attacked Jake arrives in time to catch his last, strange words. “I know you think I’m crazy but the bird will explain everything,” he says before urging the youngster to venture off to find out who, what, he really is. “I should have told you years ago. I thought I could protect you.”

Thus begins Jake’s adventure, a journey that leads him to a small island where Miss Alma LeFay Perigrine (Eva Green) a.k.a. The Bird Lady, attends to her brood of peculiar child. She has created a time loop, reset every day, to keep her peculiar safe and protect them from growing old. Every day is September 3, 1943 all day. An attack by Hollows (Samuel L. Jackson and others), evil creatures who steal the eyeballs of peculiar children, upsets Perigrine’s orderly time loop and gives Jake a chance to learn why he was sent to the island.

The first hour of “Miss Peregrine’s Home For Peculiar Children” is pure Tim Burton. He creates a fanciful world—imagine quirkier “X-Men”—with all his trademarks—mid-century kitsch, topiary sculptures, weird creatures and characters straight out of the outer regions of the imagination—and a mythology all its own. World building is a fantasy director’s strongest asset, and Burton paints a pretty picture, it’s just too bad he gets bogged down in the story in the second half.

The mushy second half erases the charm of the first sixty minutes as fanciful dreaminess and unique stop motion effects give way to CGI overload. The film’s long climax seems to go on forever—as though the audience is in one of Miss. Perigrine’s endless time loops—in an orgy of digital trickery that betrays the feel of the piece. An army of skeletons is a cool homage to Ray Harryhausen and setting its macabre sequence to weird amusement park dance music is a nice Burton touch, but it pales by comparison to the smaller, more intimate touches that give the movie much of its personality.

“Miss Peregrine’s Home For Peculiar Children” has some beautiful images—like Emma Bloom (Ella Purnell), tethered to Jake like a balloon as he walks and she floats through an amusement park—but like many of Burton’s recent films the story feels like an afterthought.