I joined CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about the return of Ghostface in “Scream VI,” the sports drama “Champions,” the charming and funny “I Like Movies” and the eco-drama “Blueback.”
I join 1290 CJBK in London and host Ken Eastwood to talk the new movies coming to theatres including the return of Ghostface in “Scream VI,” the sports drama “Champions,” the charming and funny “I Like Movies” and the eco-drama “Blueback.”
We’ve all seen boy and his dog movies about the deep relationship between humans and animals like “White Fang” and the simply named “Dog,” with Channing Tatum and a Belgian Malinois.
“Blueback,” a new Australian family picture starting Mia Wasikowska and now playing in theatres, mines similar territory, but this time it’s the story of a girl, her blue groper and the love of the ocean.
Wasikowska Is marine biologist Abby who grew up exploring the ocean around the coast of her Western Australian childhood home. “We were born in the water,” says her mother Dora (Elizabeth Alexander).
When Dora suffers a debilitating stroke that leaves her unable to speak, Abby returns home. Hoping a return to the sea will aid in Dora’s recovery, they travel to the coast.
From here, the story toggles between Abby’s childhood and the discovery of a rare blue groper—the Blueback of the title—that inspired the eco-activism that shaped her life, and the present day.
“Blueback” is a well-intentioned but heavy-handed film that mixes-and-matches mother and daughter dynamics with messages about the fragility of marine environments and the importance of conservationism. The movie’s main thrusts are intertwined and, unfortunately, over explained. Repetition and excessive exposition blunt the movie’s mission somewhat, despite fine performances from Wasikowska and Radha Mitchell, who plays Dora in the flashbacks.
The film’s storytelling deficiencies, however, are alleviated somewhat by beautiful underwater photography and the urgency of the conservation messaging.
Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about the return of the Crawleys in “Downton Abbey: A New Era,” the menacing “Men” starring Jessie Buckley, the warm-hearted comedy “The Valet” and the wild and wacky “Chip ‘n Dale: Rescue Rangers.”
Richard joins CTV NewsChannel anchor Marcia MacMillan to talk about “Downton Abbey: A New Era,” the animated adventures of “Chip ‘n Dale: Rescue Rangers,” the heartwarming humour of “The Valet” and the menacing “Men.”
Richard sits in on the CKTB Niagara in the Morning morning show with host Tim Denis to talk the new movies coming to theatres including the upstairs/downstairs drama of “Downton Abbey: A New Era,” the animated adventures of “Chip ‘n Dale: Rescue Rangers” and the heartwarming humour of “The Valet.”
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the return of the Crawleys in “Downton Abbey: A New Era,” the menacing “Men” starring Jessie Buckley, the warm-hearted comedy “The Valet” and the wild and wacky “Chip ‘n Dale: Rescue Rangers.”
A kid’s movie about Hollywood as a boulevard of broken dreams doesn’t exactly scream Disney, but “Chip ‘n Dale: Rescue Rangers,” a new live action, cartoon hybrid starring John Mulaney and Andy Samberg in the title roles, and now streaming on Dinsey+, is exactly that.
Except it’s WAY funnier than I just made it sound.
Set in Los Angeles, this is the tale of anthropomorphic chipmunks Chip (Mulaney) and Dale (Samberg). Once tight pals and big television stars, relative to their tiny size, they are now has-beens, relegated to the delete bin of popular culture. “We were living the dream,” says Dale. “Dancing the Roger Rabbit, with Roger Rabbit.”
Dale sticks it out in show biz and with some CGI surgery—i.e. plastic surgery in toon world—is now a photorealistic computer-animation version of himself chasing glory on the oldies convention circuit, while Chip gave up his Hollywood dream and makes ends meet by selling insurance.
Worst of all, they’re estranged and haven’t spoken in years. It takes a wild story from their old “Rescue Rangers” co-star Monterey Jack (Eric Bana) about missing animated characters, possibly kidnapped by Sweet Pete (Will Arnett), a middle-aged, paunchy version of Peter Pan, to bring them back together.
When Monterey disappears, Chip ‘n Dale use the sleuthing lessons they learned on “Rescue Rangers” and are drawn into the seedy underworld of Uncanny Valley where the baddies come in all styles—hand drawn, computer generated, claymation, puppets—Muppet fights are a daily occurrence and bootleggers threatens the toons’ lives and careers.
“Chip ‘n Dale: Rescue Rangers” is a multiverse of toontastic fun. In a wild mix n’ match, characters from movies like “The Little Mermaid” and “My Little Pony” to “South Park” and “The Jungle Book” clash and collide. There’s even Ugly Sonic, the original Sonic the Hedgehog design with human teeth.
The array of characters aside, there are loads of in-jokes for animaniacs to enjoy. A computer-generated Viking (Seth Rogen) is described as having, “those Polar Express eyes,” and director Akiva Schaffer crams the screen with various styles of animation that irreverently pays tribute to, and pokes fun at, these beloved characters who have fallen on hard times.
A riff on “The Happytime Murders,” which brought the Muppets into a crime-ridden, R-rated world, and the Toontown antics of “Who Framed Roger Rabbit?”, “Chip ‘n Dale: Rescue Rangers” is ripe with sight gags and deep laughs that will likely be appreciated more by parents than kids. Once again, my semi-annual reminder that simply because a movie is on Disney+, doesn’t mean it is for the entire family. There are good messages for kids about the importance of friendship but they are tempered by some adult humour and mild language.
Guy Ritchie’s films have entertained me for years but I’m afraid he didn’t find me very interesting.
The incident happened during my press day with Ritchie and Charlie Hunnam, the director and star of King Arthur: Legend of the Sword. I first spoke with them for television. Hunnam answered my opening question about the film Excalibur, a precursor to their movie, enthusiastically. But I could feel Ritchie disengage. He sat back and went into autopilot, answering my questions by rote. The rest of the interview flew by in a flurry of quips and tossed off answers… READ THE WHOLE THING HERE!