Richard speaks to “CTV News at Six” anchor Andria Case about the best movies to watch this weekend including Carey Mulligan’s archeological drama “The Dig” (Netflix), Denzel Washington as a cop with a troubled past in “The Little Things” (PVOD and select theatres), Naomi Watts’ family drama “Penguin Bloom” (Netflix) and the Nicolas Cage b-movie “Jiu Jitsu” (EST, VOD, DVD).
Watch the whole thing HERE! (Starts at 36:10)
Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including Carey Mulligan’s archeological drama “The Dig” (Netflix), Denzel Washington as a cop with a troubled past in “The Little Things” (PVOD and select theatres), Naomi Watts’ family drama “Penguin Bloom” (Netflix) and the Nicolas Cage b-movie “Jiu Jitsu” (EST, VOD, DVD).
Watch the whole thing HERE!
Richard sits in on the CTV NewsChannel with host Marcia MacMillan to have a look at the new movies coming to VOD, streaming services and theatres including Carey Mulligan’s archeological drama “The Dig” (Netflix), Denzel Washington as a cop with a troubled past in “The Little Things” (PVOD and select theatres) and Naomi Watts’ family drama “Penguin Bloom” (Netflix).
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including Carey Mulligan’s archeological drama “The Dig” (Netflix), Denzel Washington as a cop with a troubled past in “The Little Things” (PVOD and select theatres), Naomi Watts’ family drama “Penguin Bloom” (Netflix) and the Nicolas Cage b-movie “Jiu Jitsu” (EST, VOD, DVD).
Listen to the whole thing HERE!
“The Little Things,” a Los Angeles-set crime drama now available in select theatres and on PVOD, features a trio of Oscar winners in a dark story that shows the soft underbelly of the glamour capitol.
Set in 1990, pre-DNA testing, this is a story of old-fashioned police work. Wits, stakeouts, payphones and bleary eyes are their tools. Obsession and black coffee fuel them.
Oscar winner number one Denzel Washington is Joe Deacon, a deputy sheriff in small town California, whose job as a big city detective is long in the rearview mirror. When he joins strait-laced LAPD detective Sgt. Jim Baxter (Oscar winner number two, Rami Malek) on the hunt for a serial murderer, they focus on Albert Sparma (Oscar winner number three, Jared Leto) an off-kilter character they suspect is the killer. Turns out, their case reverberates with echoes from Deacon’s troubled past.
“The Little Things” sets up an interesting mystery. The SoCal setting resonates with an eerie Golden State Killer sun-dappled vibe and there are enough cryptic clues to keep you—and Deacon and Baxter—guessing. Washington and Malek play an odd couple, brought together by their shared obsessions, and Leto is suitably sideways to lend an aura of menace to his character. But, taken as a whole, the elements feel let down by the climax of the story. No spoilers here, but Baxter’s behavior in the minutes leading up to the film’s resolution don’t feel authentic, as though they are not driven by the character and what he would do in the situation. Instead, the ending feels informed simply by the need to wrap up the story in a dramatic way.
It’s too bad because most of what comes before is quite good. Deep characterizations, worthy of the trio’s Oscar wins, help set the scene. Writer and director John Lee Hancock avoids the visual clichés of most Los Angeles sets dramas; there’s palm trees, but no Hollywood highlights, just rundown motel rooms and skid row streets. It all adds up, until Baxter’s inexplicable decisions (AGAIN, NO SPOILERS HERE) take the viewer out of the story.
As Deacon says several times in “The Little Things,” life and, in this case, storytelling are all about the little things, the details that come together to tell the tale. Hancock gets most of the little things right, but not all.
On this week’s show: Director, writer and producer John Lee Hancock. His films include THE FOUNDER, starring Michael Keaton, which tells the story of McDonald’s founder Ray Kroc; and SAVING MR. BANKS, starring Tom Hanks and Emma Thompson, about the relationship between Walt Disney and P.L. Travers. He also wrote and directed Warner Bros. and Alcon Entertainment’s celebrated feature THE BLIND SIDE. The film was nominated for two Academy Awards, including Best Picture, and won Sandra Bullock the Best Actress award. His new film, THE HIGHWAYMEN follows the untold true story of the legendary detectives who brought down Bonnie and Clyde. Listen to the whole thing HERE!
Here’s some info on The Richard Crouse Show!:
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Click HERE to catch up on shows you might have missed! Read Richard NewsTalk 1010 reviews HERE!
The show airs:
NewsTalk 1010 – airs in Toronto Saturday at 9 to 10 pm.
For Niagara, Newstalk 610 Radio – airs Saturdays at 6 to 7 pm
For Montreal, CJAD 800 – Saturdays at 6 to 7 pm
For Vancouver – CFAX 1070 – Saturdays 6 to 7 pm.
For London — Newstalk 1290 CJBK, Saturdays 10 to 11 pm
Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies, the psychological thriller “Split” starring James McAvoy and “The Founder,” the story of Ray Kroc and the rise of fast food in America.
Watch the whole thing HERE!
By Richard Crouse – Metro In Focus
Ray Kroc changed the way we eat. He didn’t invent the hamburger, but has probably sold more burgers than anyone else.
He standardized food preparation, setting the template for fast food restaurants worldwide and built an empire based on two all-beef patties, special sauce, lettuce, cheese, pickles, onions on a sesame seed bun.
If you believe The Founder, a biopic of Kroc’s building of the McDonald’s hamburger chain, he was also a bit of an SOB.
Michael Keaton, who plays Kroc from failed travelling salesman to a millionaire whose business card reads simply Founder, says the choices his character “makes towards the end after he becomes successful are harsh, man. And nothing I would ever do. Nothing most people would ever do.”
So, is he a hero or villain? That’s the question The Founder asks. Does he deserve a break today for changing the way the world eats or is he a ruthless businessman to be grilled for his heavy-handed tactics?
When we first meet Kroc he’s hustling a newfangled milk-shake maker. Despite his slick pitch, his blender isn’t shaking up the fast food business. Restaurant after restaurant turns him down, until a small San Bernardino, Calif., burger shack run by siblings Mac and Dick McDonald (played by John Carroll Lynch and Nick Offerman) places an order for six of the machines, then ups the buy to eight.
Intrigued, Kroc travels cross-country to check out the operation and finds a bustling restaurant pumping out good food with military efficiency.
The brothers streamlined their kitchen for maximum productivity, maximizing every inch of space to bang out burgers in under 30 seconds. Kroc, amazed, convinces the pair to allow him to franchise their ideas and name. Reluctant, they agree but with a strict set of rules to ensure quality control.
Their uneasy partnership becomes a powder keg when Kroc unilaterally changes how the company is run. As the company grows so does Kroc’s ego and anything-to-win attitude.
Much of the way Kroc treats his business partners in The Founder is as distasteful as The Hula Burger, his famous and failed foray into vegetarian cookery. He double deals, goes behind their backs and worse, tampers with some of their recipes.
Keaton does a great job of slowly revealing Kroc’s duplicity and dive into self-indulgence as he transforms from failure to success. His natural charisma and flair — He’s Batman! He’s Mr. Mom! He’s Beetlejuice! — brings with it a familiarity that makes sense when telling the story of one of the best known brands on earth.
As an actor Keaton brings us on side as he effectively portrays Kroc’s descent into amorality and callousness.
Like the operation that caught Kroc’s eye, the film is efficient, wasting no moves in the telling of the tale. It’s a classic story of persistence and greed and director John Lee Hancock gets right to the meat of the story.
As much as the film is about the U.S.’s 1950s growth spurt, it is also a portrait of the kind of never-say-die spirit that evokes the very best and worst of the American Dream.
On film Kroc is insufferable, a ruthless conniver who grabbed the gold ring, or, in this case, golden arches. Is he a good guy or scoundrel? Depends what side of the sesame seed bun you place the special sauce on.
Hero or villain? That’s the question “The Founder” asks about its subject, McDonald’s main man Ray Kroc. Does he deserve a break today for changing the way America eats or is he a ruthless businessman to be grilled for his heavy handed tactics?
When we first meet Kroc (Michael Keaton) he’s a door-to-door salesman hustling a new fangled milk shake blender. Despite his slick pitch his milk shake maker isn’t shaking up the fast food business. Restaurant after restaurant turns him down, until a small San Bernardino burger shack run by Mac (John Carroll Lynch) and Dick (Nick Offerman) McDonald places an order for six of the machines, then ups the buy to eight. Intrigued, Kroc travels cross-country to check out the operation and finds a bustling restaurant pumping out good food with an almost military efficiency.
The MacDonald brothers streamlined their kitchen for maximum productivity, maximizing every inch of space to bang out burgers in under thirty seconds. Kroc, amazed, convinces the pair to allow him to franchise their ideas and name. Reluctant, they agree but with a strict set of rules to ensure quality control. Their uneasy partnership becomes a powder keg when Kroc unilaterally changes how the company is run.
As the company grows so does Kroc’s ego and anything-to-win attitude.
Much of the way Kroc treats his business partners in “The Founder” is as distasteful as The Hula Burger, his famous and failed foray into vegetarian cookery. He double dealed, went behind their backs and worse, tampered with some of their recipes. Keaton does a great job of slowly revealing Kroc’s duplicity and dive into self-indulgence as he morphs from failure to success. His natural charisma and flair—He’s Batman! He’s Mr. Mom! He’s Beetlejuice!—brings with it a familiarity that makes sense when telling the story of one of the best known brands on earth. He effectively portrays Kroc’s descent into amorality and callousness.
Like the operation that caught Kroc’s eye, the film is efficient, wasting no moves in the telling of the tale. It’s a classic story of persistence and greed and director John Lee Hancock gets right to the meat of the story. Along the way are feisty and bittersweet supporting performances from Offerman and Lynch and perfect period production design that evokes the spirit of the time.
However, as much as the film is about the U.S.’s growth spurt in the 1950s, it is also a portrait of the kind of never-say-die spirit that evokes the very best and worst of the American Dream. Kroc is insufferable, a ruthless conniver who grabbed the gold ring, or, in this case, arches. Is he a hero or villain? Depends on which side of the arch you side with.
“The Founder” isn’t about the end of the story. Most people know about the MacDonald’s phenomenon—they feed 1% of the world’s population every day—but fewer realize the journey it took to get there.
