Fast reviews for busy people! Watch as I review three movies in less time than it takes to turn on the lights! Have a look as I race against the clock to tell you about the wild action of “Mission: Impossible–Dead Reckoning,” the drama “The Miracle Club” and the extreme sports doc “The Deepest Breath.”
I sit in for NewsTalk 1010 host Jim Richards on the coast-to-coast-to-coast late night “NewsTalk Tonight” to play the game “Did Richard Crouse Like This?” This week we talk about the wild action of “Mission: Impossible–Dead Reckoning,” the drama “The Miracle Club” and the extreme sports doc “The Deepest Breath.”
I joined CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about the wild action of “Mission: Impossible–Dead Reckoning,” the drama “The Miracle Club” and the extreme sports doc “The Deepest Breath.”
I join CTV NewsChannel anchor Akshay Tandon to talk about the wild action of “Mission: Impossible–Dead Reckoning,” the drama “The Miracle Club” and the extreme sports doc “The Deepest Breath.”
I joined CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about the wild action of “Mission: Impossible–Dead Reckoning,” the drama “The Miracle Club” and SAG joining the writer’s strike.
I sit in with CKTB morning show host Tim Denis to have a look at the wild action of “Mission: Impossible–Dead Reckoning,” the drama “The Miracle Club” and the extreme sports doc “The Deepest Breath.”
I sit in on the CFRA Ottawa morning show with guest host Andrew Pinsent to talk the new movies coming to theatres including the action packed “Mission: Impossible–Dead Reckoning,” the drama “The Miracle Club” and the extreme sports doc “The Deepest Breath.”
Despite the title, “The Miracle Club” isn’t so much about miracles as it is redemption, faith and uplift.
Set in 1967, in Ballygar, Ireland, this is the story of four women. Chrissie (Laura Linney) left the seaside town for Boston under a cloud forty years before and hasn’t been back. When she returns for her mother’s funeral, she must face the demons of the past, and the people she left behind, including her former BFF Eileen (Kathy Bates) and her late mother’s passive-aggressive best friend Lily (Maggie Smith). Bitterness runs deep between the three, each harboring grudges that have bubbled for four decades.
At a church fundraiser, Father Dermot Byrne (Mark O’Halloran) the local priest and center of religious life in the small town, throws a talent show. The prize is a trip to Lourdes in southwest France. One of the most visited places by Catholics from around the world, it is a pilgrimage site where, since 1858, the faithful have flocked to pray for miracles while bathing in the healing waters where a young girl named Bernadette Soubirous is said to have witnessed visions of the Virgin Mary.
Despite their best efforts at the talent show, Eileen, Lily and new mom Dolly (Agnes O’Casey) come in second, winning a hunk of meat instead of the coveted tickets. The first-place winner, feeling sorry for them, offers his tickets to them, and soon they are boarding the bus for Lourdes. Along for the ride is Chrissie, who uses her mother’s ticket for the trip.
On site in the holy town, miracles are in short supply but the situation forces the three generations of women to confront their pasts and prejudices. “You don’t come to Lourdes for a miracle,” says Father Byrne. “You come for the strength to go on when there is no miracle.”
“The Miracle Club” isn’t about divine agency. Nothing miraculous happens, excepting the power of truth and compassion to heal the long-simmering wounds each of these women carry. Their shared trauma (NO SPOILERS HERE) overwhelms their lives, forming who they are as people. The actors imprint each of these characters with the cumulative weight of their lives, willing Eileen, Lily and Chrissie into stubborn life, despite a script that attempts to keep them as stereotypes.
It is these performances that give “The Miracle Club” much of its power to engage with the audience. It is in each of their abilities to imply the inner lives of the characters without necessarily verbalizing them, that shows how deeply they have been devastated by past events. That, and the movie’s evocative sense of time and place, create the backdrop for the more pedestrian story in the foreground.
Richard speaks to “CTV News at 11:30” anchor Andria Bain about TV shows to watch this weekend including Viggo Mortensen’s father-and-son drama “Falling” (select theatres, rent or buy on the Apple TV app and other VOD platforms), the trippy “A Glitch in the Matrix” documentary (VOD), and the unfiltered Netflix romantic drama “Malcolm & Marie” (Netflix).