Posts Tagged ‘Matt Damon’


A weekly feature from from! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at “Downsizing,” “I, Tonya” and “The Greatest Showman.”

Watch the whole thing HERE!

DOWNSIZING: 3 STARS. “like a light-hearted “Twilight Zone” episode.”

“Downsizing,” the new satire from “Sideways” director Alexander Payne, offers up a proposition that is almost too good to be true. His movie asks, What would you do if you could simultaneously help save the environment and improve your personal finances?

Set in the near future, overpopulation is the biggest issue facing the world. In Norway a team of scientists come up with an inventive, and just a little wacky, way to solve the problem, cellular reduction a.k.a. shrinking. It is, they say, the only safe and humane way to resolve the curse of overpopulation. “Life is unsustainable at this current mass and volume,” says Dr. Jorgen Asbjørnsen (Rolf Lassgård).

It’s a medical procedure known as downsizing whereby a person’s current mass and volume are shrunk by .0634%. They take up less space, produce less waste—four months of bathroom waste for a family of four takes up less than half of one garbage bag—eat less and generally are less a drain on the planet’s resources. The kicker? It’s cheaper to live. $83 is an average food budget for two months or could buy a matching conflict-free diamond bracelet, earring and necklace set.

When we meet Omaha couple Paul and Audrey Safranek (Matt Damon and Kristen Wiig) they are at a financial crossroads. He wanted to be a surgeon but when his mom got sick he dropped out of pre med to take care of her. Now he works “in-house at Omaha steaks and “tweeting repetitive stress injuries. She wants to buy a new house but they can’t afford it.

Top realize Audrey’s dream of a new house and life, they decide to get small. The capper on the deal? Their equity of $150,000 translates into $12.5 million at the dollhouse-sized city called Leisureland Estates.

But what happens when one chickens out? “You’re upset!” says Paul. “You’re upset! I’m the one who is 5 inches tall!”

As Paul begins his new miniature solo life he meets his neighbour Dusan (Christoph Waltz), a Siberian wheeler-dealer who brings luxury items to the new small communities and Ngoc Lan (Hong Chau), a shrunken dissident from Vietnam, jailed for political and environmental activity, who smuggled herself into the United States in a television box.

Paul’s journey into smallville changes his life in more ways than he ever could have imagined. Damon plays Paul as an everyman, a good guy who massages his wife’s neck and gave up his dream to look after his mother. The enlightenment he (eventually) finds comes with the realization that Leisureland Estates isn’t a brave new world but a continuation of the world he left, complete with class struggles, race issues and poverty. “That’s the thing about becoming small,” says Dusan’s friend Konrad (a wonderful Udo Kier), “you become rich. Unless you were poor. Then you’re just a small.”

Downsizing, the procedure, not the movie, it turns out isn’t the answer to the world’s problems. Healing the world is simpler, more primal. It’s about building communities, looking after one another and learning to appreciate what we have.

At least that’s what I think it’s about. “Downsizing,” for all its ingenuity gets bogged down in its second half. The opening hour is inventive, like a light-hearted “Twilight Zone” episode. There are nice details—following the shrinking procedure the newly small adults are scooped up by nurses with spatulas and deposited on to tiny gurneys—and several belly laughs stemming from the situation. When the film halfway abandons the less-is-more concept—in a world where everything is miniature, the opportunity for the kind of sight gags that drew laughs in the first half disappear—it becomes slightly muddled. Is it a romance? Sort of. Is it social commentary? Yes, but about what exactly? The environment? (There’s even an allusion to Noah’s Ark.) Racism? Illegal immigration? They are all touched on but the film flits from one issue to another so quickly it’s like channel surfing between CNN and MSNBC every forty seconds or so.

“Downsizing” may bite off more than it can chew but its an indictment of how man has broken the environment isn’t all doom and gloom. With Paul’s new world, friends and outlook also come a hopeful gaze to the future. You may wonder about the appropriateness of the comic tone of Ngoc Lan’s broken English but will can never speculate on whether the film has its heart in the right place or not.


A weekly feature from from! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the Matt Damon film “Suburbicon,” the dreamy “Wonderstruck” and one of the year’s best films, “The Florida Project.”

Watch the whole thing HERE!


Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies including the Matt Damon film “Suburbicon,” the dreamy “Wonderstruck” and one of the year’s best films, “The Florida Project.”

Watch the whole thing HERE!



Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the Matt Damon film “Suburbicon,” the dreamy “Wonderstruck” and one of the year’s best films, “The Florida Project.”

Watch the whole thing HERE!


Richard sits in on the CJAD Montreal morning show with guest host Ken Connor to talk about the Matt Damon film “Suburbicon” and the dreamy “Wonderstruck.”

Listen to the whole thing HERE!

SUBURBICON: 4 STARS. “nicely made but marching to the beat of a very dark heart.”

In “Suburbicon” director George Clooney pays tribute to the great melodramatic thrillers of the past with a timely story about two families, one in a quagmire of their own making, another harassed by outside forces. It’s a morality—or should that be a-morality—play that is as grim as it

Set in Suburbicon, a picture perfect suburb, new, sparkling with all the amenities, we first meet Gardner Lodge (Matt Damon) and his family, wife Rose (Julianne Moore), son Nicky (Noah Jupe) and sister-in-law Margaret (also Julianne Moore). It’s a “Leave it to Beaver” life until a home invasion shatters the American Dream idyll. “Nothing like that ever happened here,” a neighbour says. “This was a safe place.”

Meanwhile an African-American family moves in next door and immediately becomes the target of racial intolerance from the townsfolk. Based on the real-life harassment of the Myers family, husband William (Leith M. Burke), wife Daisy (Karimah Westbrook) and son Andy (Tony Espinosa) in Levittown, Pennsylvania in 1957, the citizens of Suburbicon create a twenty-four-hour-a-day disturbance outside their home, making normal life almost impossible inside.

As the police investigate the invasion and the murder of Rose, uncomfortable questions arise. When an insurance inspector (Oscar Isaac) starts poking around it little Nicky begins to suspect his father might not be the man he thought he was.

On one fateful night tensions come to boil at both the Lodge and Myers households.

There will be no spoilers here, just know that “Suburbicon” plays like the leering devil child of Alfred Hitchcock and David Lynch or the evil godchild of the Coen Brothers, who wrote the original script before Clooney and long time collaborator Grant Heslov did a rewrite. It’s a beautifully nasty film, nicely made but marching to the beat of a very dark heart.

Against a seemingly wholesome backdrop Clooney paints a picture of greed, murder, racism and infidelity. There are laughs—like the ridiculous sight of Damon riding a kid’s bicycle away from a crime scene—but make no mistake this is not “Ocean’s Eleven.” He builds the story block-by-block, carefully creating character facades only to shatter them. Hardly anyone is who they seem. Only Nicky is pure-of-heart and if this was real life Nicky would need some serious therapy. It’s gripping and grim stuff about the American Dream gone wrong.

Murder and infidelity are, I guess, the timeless aspects of the story. The racism, particularly in light of recent events in Charlottesville, Virginia, brings a timely and urgent facet. The portrayal of the racism levelled at the Myers family is ugly and, sadly, all too believable. The “decent” folks of Suburbicon are all too quick to grab a Confederate flag when an African-American family moves in next door. It’s a strong anti-segregation message that contrasts the craven behaviour of the Lodge family.

Damon doles out the creepy vibe sparingly, bring the character to a slow simmer, only to have it boil when things go sideways. Moore is a dim-witted femme fatale with a mean streak. Isaac inserts some smarmy energy mid-movie, but it is Jupe as little Nicky who grounds things. We see Suburbicon’s carefully constructed world fall apart through his eyes, taking the ride with him. He’s a Hitchcockian figure in short pants, the boy who knew too much, and he’s an effective mirror of the dangers of conformity.

“Suburbicon” is a horror film, but the monster is us.


Richard hosted the TIFF press conference for “Downsizing” with director Alexander Payne, stars Matt Damon, Hong Chau, Christoph Waltz, screenwriter Jim Taylor and producer Mark Johnson.

The script by Payne and Jim Taylor opens with a Norwegian scientist making a breakthrough he thinks will save humanity: a technique that can shrink people to 5 inches (12 centimeters) tall. That means they use a tiny fraction of the resources they once did — and need to pay less, allowing people of modest means to grow instantly rich by becoming small.

Read about it HERE!

Watch the whole thing HERE!


Richard and CP24 anchor George Lagogianes have a look at the weekend’s new movies, the Ice Cube high school comedy “Fist Fight,” the Matt Damon white saviour flick “The Great Wall,” Dane DeHaan in the incomprehensible “The Cure for Wellness” and “My Scientology Movie.”

Watch the whole thing HERE!