What to watch when you’ve already watched everything Part Two! Binge worthy, not cringe worthy recommendations from Isolation Studios in the eerily quiet downtown Toronto. Three movie choices to stream, rent or buy that will help fill the minutes until we can comfortably cough in public once again. And no, “Electric Boogaloo” is not one of the selections.
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A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the Tom Cruise action flick “Mission Impossible – Fallout,” the surreal and surprising “Blindspot” and the political drama “Shock and Awe.”
Watch the whole thing HERE!
Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the weekend’s big releases, the Tom Cruise smash-’em-up “Mission Impossible – Fallout,” the surreal and surprising “Blindspot” and the political drama “Shock and Awe.”
Watch the whole thing HERE!
Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk about the epic action of “Mission Impossible – Fallout,” the epic emotions of “Blindspotting” and the not-so-epic “Shock and Awe.”
Listen to the whole thing HERE!
Writing a review for “Mission Impossible – Fallout” gave my thesaurus a workout. The film, the sixth instalment in the Tom Cruise franchise, is jammed to the gills with next-level stunts that require an expanded vocabulary to describe. Words like ‘extreme’ or ‘exciting’ or even ‘epic’ (and those are only the ‘e’ words) don’t come close to describing the behemothic action sequences contained within.
Cruise returns as the seemingly invincible action man and IMF (Impossible Mission Force) agent Ethan Hunt. Hunt and his crew, tech wiz Benji (Simon Pegg) and agent Luther (Ving Rhames), are charged with finding and capturing anarchist Solomon Lane (Sean Harris), a baddie who was the leader of the Syndicate during the last film, “Rogue Nation.” “Whatever you heard about Lane,” explains Hunt, “if it makes your skin crawl it’s probably true.” Lane is working with the mysterious and murderous John Lark, a man with some extreme ideas about squashing the world order.
As Lark and Lane collect the necessary plutonium to fulfil their plan the CIA begins to have doubts about Hunt’s loyalty. Add to that the return of former MI6 agent Ilsa Faust (Rebecca Ferguson), and some newbies, CIA assassin August Walker (Henry Cavill) and black market arms dealer and lady of mystery White Widow (Vanessa Kirby) and you have lots of characters to fill the space between the stunts. Complicating matters is the fallout from some of Hunt’s previous, well-intentioned missions.
There are a lot of very good-looking people in “Mission Impossible – Fallout.” Handsome fellas and femme fatale‘s, they are all woven into a stylish story of international intrigue and plutonium. Like the others “MI” movies it’s packed with exotic locations—only James Bond has more air travel points than Ethan Hunt—doublespeak and double crosses but the narrative doesn’t matter that much, it’s all in service of the Bunyanesque action.
Choreographed to an inch of Hunts life—Cruise really puts himself out there for this one—the realism of the stunts gives the movie a sense of danger and the Green Screen Department the day off. Monumental, vertigo inducing single sequences take place on land, wheels, water and air. Only the screeching of tires score one eye-peeling chase scene between a motorcycle and a car. Visually it is so visceral director Christopher McQuarrie wisely avoided cluttering the scene with frenetic music. It doesn’t need it.
Of course those looking for a finely crafted John le Carré style story of espionage in “Mission Impossible – Fallout” will be bitterly disappointed. While it does contain huggerymuggery it frequently falls just this side of making sense. That’s not to say it isn’t entertaining. Even when Hunt isn’t in action the movie is in perpetual motion, but Frederick Forsyth this ain’t. Instead it is an elephantine (although no actual elephants appear) action epic that breaks the blockbuster norm of cutting away to an action sequence every ten minutes or so. It’s made up of three Brobdingnagian set pieces stitched together by words that mostly make sense.
A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at Steven Spielberg’s virtual reality flick “Ready Player One,” the family drama “Mary Goes Round” and the financial documentary “The China Hustle.”
Watch the whole thing HERE!
Richard joins CP24 anchor Nick Dixon to have a look at the weekend’s new movies including Steven Spielberg’s virtual reality flick “Ready Player One,” the family drama “Mary Goes Round” and the financial documentary “The China Hustle.”
Watch the whole thing HERE!
Think you spend a lot of time online? Check out Wade Watts, a gamer searching for Easter Eggs in OASIS, the world’s most elaborate virtual reality game, in Steven Spielberg’s Ready Player One. “Except for eating, sleeping and bathroom breaks,” says Wade, “everyone does everything in the OASIS.”
Tye Sheridan, the 21-year-old actor who plays Wade, says the film isn’t just about losing oneself in an artificial world.
“The OASIS can teach us. You may not look like the person you want to be or the avatar you want to be,” says Sheridan on a stopover in Toronto, “but you are you and there is nothing you can do about that. It’s OK to be who you are and to be comfortable with who you are.”
The story is an orgy of special effects about a technological escape from the all-too-real societal ills that make Wade’s life miserable.
“Although it is a crazy adventure, sci-fi futuristic movie,” Sheridan says, “at the core of it there is so much humanity. It is also very relatable today in 2018. I feel like the OASIS is a huge metaphor for social media and digital platforms and for people who don’t feel comfortable with who they are in the real world. Sometimes they focus more on that than they do on who they are in this realm.”
The young actor auditioned for Spielberg last year. In a quick “chemistry read” with Olivia Cooke, who had already been cast as the gunter — egg hunter — Art3mis, he shot one scene with the director in the room, operating the camera.
“I didn’t know if I would get the role or not,” he says, “but I wanted to thank him for all his movies. His movies played hundreds of times during my childhood. I think they definitely influenced me and helped become the person I‘ve become. Without him and his films, without ET, I think I would be a different kid. To work with someone who has had that impact on you and so many people like you is such a cool thing.”
A month after the try-out he got a call from his agent: “You’re going to be working with Steven Spielberg this summer.”
Working with an icon caused a case of the nerves, but only for the first day.
“It’s hard not to be nervous on the first day because as an actor in his film you are carrying his film. You want to get it right. You wouldn’t want to have a bad relationship with that guy. (Co-star) Lena Waithe said something that was really amazing and such a great way to describe Steven and how it feels to work with him — she said, ‘He’s a giant that doesn’t make you feel small.’
“He is such a leader and knows how to command a set. He’s a great collaborator and doesn’t let anything get in the way. At the end of the day it feels like you are there with someone who is equal to you. You both want what is best for the story and are passionate about what you are working on and putting two heads together to get the best result.”
As for that final result? Sheridan says he’s seen the film, with its elaborate special effects, twice. “It was still surprising,” he says, “even for me and I was there.”
By Richard Crouse – Metro In Focus
You don’t have to overtax the Google machine to find negative comments about being on set with Steven Spielberg. Type in “working with Steven Spielberg” and in 0.57 seconds 20,900,000 results appear, including an article where Shia LaBeouf rants, “He’s less a director than he is a f—ing company.”
LaBeouf’s resume is dotted with Spielberg-produced or -directed films like Disturbia, Transformers, Eagle Eye and, most famously, Indiana Jones and the Kingdom of the Crystal Skull, but if Spielberg ever does the same search it’s unlikely they’ll ever pair up again. “You get there, and you realize you’re not meeting the Spielberg you dream of,” LaBeouf told Variety. “You’re meeting a different Spielberg, who is in a different stage in his career.”
But that’s pretty much it for the negativity. There’s a story about Crispin Glover suing Spielberg for using his likeness in Back to the Future Part II and the critical drone that his films are overly sentimental, but primarily it’s LaBeouf against Spielberg and the world. Most of his other co-workers have nothing but praise for the filmmaker Empire magazine ranked as the greatest film director of all time.
This weekend he returns to theatres with Ready Player One, a sci-fi film that brings a virtual reality world called the OASIS to vivid life. Star Tye Sheridan calls the director a great and passionate collaborator who makes everyone feel equal on set. Co-star Ralph Ineson calls Spielberg “one of the most iconic figures of the last 100 years,” adding that it was difficult to takes notes from him on set. “When he is speaking to you your mind vaguely goes blank the first few times because your internal monologue just goes, ‘My god, Steven Spielberg is giving me a note.’ And then you realize you haven’t actually heard the note.”
All directors give suggestions on set, but it seems it’s the way Spielberg speaks to his actors that sets him apart.
Ed Burns remembers making a mess of several takes on the set of Saving Private Ryan to the point where Tom Hanks said to him, “I’ve seen you act before, and this isn’t acting.” Afraid he would be replaced, he got nervous and continued to blow take after take but Spielberg didn’t offer guidance. Two weeks passed. The cast started laying bets on who would be fired first.
Turns out, no one was fired and Burns learned a lesson he would later take into his own directorial efforts like Sidewalks of New York. The actor reports that Spielberg said, “I like to give my actors three takes to figure it out. If I step in after the first take and give you a note, especially with young actors, you’ll hear me rather than your own voice.”
Burns calls the experience “a life changer” adding it taught him that being a director is “about knowing when to give direction.”
The superstar director says the listening lesson was learned early in life. “From a very young age my parents taught me probably the most valuable lesson of my life: Sometimes it’s better not to talk, but to listen.”
There’s someone else Spielberg keeps in mind when making a film. “I always like to think of the audience when I am directing. Because I am the audience.”
